HASEENA PARKAR REIEW SKIN
HASEENA PARKAR REIEW FULL

When it comes to films based on underworld figures, filmmakers have mostly focused on personalities like Haji Mastan, Karim Lala, Dawood Ibrahim and Arun Gawli, but women connected to the underworld have been largely ignored.

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HASEENA PARKAR REIEW FULL

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Nothing, therefore, can salvage this insipid biopic from the morass of mediocrity. The only actor who stands out a tad amid the ruins is Rajesh Tailang in the role of Haseena's defence lawyer Shyam Keswani although he, like everybody else in the cast, is hopelessly trapped in a stilted script.

Ankur Bhatia adds no punch to the proceedings. Siddhanth Kapoor has neither the screen presence nor the dialogue delivery skills that can make him an effective onscreen Dawood. And the ponderous performances weigh heavy on the film. Haseena ParkarВ drags because the making is pedestrian despite the superficial stylistic flourishes. The film depicts her personal relationships - with her brothers Dawood (played by Shraddha's real-life sibling Siddhanth) and her husband Ibrahim Parkar (Ankur Bhatia) - as well as her dark dealings with the D-gang that gave her cover and eventually landed her in court in 2007, the only time in her life that she ever faced direct legal scrutiny despite the many cases registered against her. The film is hard-pressed to assert that she might have been as much a perpetrator - she thought nothing of bandying about her fearsome brother's name to intimidate people - as a victim who paid the price for her family's deserved infamy. The story moves back and forth from the judge's chamber to piece together the life of the only lady don the Mumbai underworld has ever seen. In the end, the film achieves neither grit nor glory.Дirected by Apoorva Lakhia (coming off the 2013 debacle ofВ Zanjeer) and scripted by Suresh Nair,В Haseena ParkarВ is a dreary courtroom drama in which the protagonist is hauled before the law to defend herself against grave criminal charges. The drudgery is only aggravated when the director resorts to outmoded, by-the-numbers storytelling that has little to commend itself. In terms of both style and substance, they now reek of musty monotony.

HASEENA PARKAR REIEW SKIN

Seeking to convey menace and power via a darkened skin tone, puffed-up cheeks and prosthetic enhancements around her jaw, she hisses and growls to no effect, making rather heavy weather of carrying the flimsy film on her shoulders.Д«ut she certainly isn't the only problem withВ Haseena Parkar.В Underworld period dramas have anyways outlived their utility. When she delivers her vapid lines, it is hard to tell whether she is biting or chewing.

It falls off the deep end in the process.В Shraddha Kapoor, for whom this is meant to be a career-altering outing, bites off more than she can chew. It crafts a morally dodgy portrait of the 'godmother' of Nagpada, Dawood Ibrahim's tough-minded sibling who ran the dreaded mafia don's crime syndicate by proxy in the 1990s and the noughties without ever being brought to book. A leaden-footed gangster flick that barely skims the surface of the done-to-death Mumbai underworld and the story of its notorious Kaskar clan, Haseena Parkar is bereft of frisson and focus.

Haseena parkar reiew